Oil on cardboard. Monogrammmed in lower right. 46.5 x 41.5 cm. Verso: Weiblicher Akt ohne Kopf, oil, Hülsewig-Johnen/Reipschläger 53. [SM]. LITERATURE: Jutta Hülsewig-Johnen/ Christiane Reipschläger, Hermann Stenner. Catalogue raisonné of paintings, ed. by Freundeskreis Hermann Stenner e. V., Bielefeld 2003, no. 108. - - Hans Georg Gmelin, Hermann Stenner 1891-1914, Munich 1975, p.44.
Wilhelm Morgner - Hermann Stenner, Städtisches Kunsthaus Bielefeld, May 2 - 30, 1954, cat. no. 43. Hermann Stenner 1891 - 1914, Städtisches Kunsthaus Bielefeld, October 14 - November 9, 1956, cat. no. 171/ Württembergischer Kunstverein, Stuttgart. Hermann Stenner 1891-1914. Von Bielefeld nach Meersburg - Ein Maler an der Schwelle zur Moderne, Schloss Achberg, April 21 - October 14, 2007, cat. no. 40, p. 39 (illu. in color). Sammlung Bunte, Positionen der Klassischen Moderne, Kunst-Museum Ahlen, February 25 - May 28, 2007; Lyonel Feininger Galerie, Quedlinburg, December 1 - March 2, 2008; Museum Moderne Kunst, Passau, August 9 - September 29, 2008; Egon Schiele Art Centrum, Krumlov October 31 - February 1, 2009; Ernst Barlach Stiftung Güstrow September 27 - January 17, 2010; Kunsthaus Apolda Avantgarde January 24 - April 5, 2010; cover of the catalog, p. 212 (illu. in color). Der Westfälische Expressionismus, Kunsthalle Bielefeld, October 31, 2010 - February 20, 2011, p. 204. Das Glück in der Kunst, Expressionismus und Abstraktion um 1914. Sammlung Bunte, Kunsthalle Bielefeld, March 21 - August 3, 2014, p. 169. Hermann Stenner: Hymnen an das Leben. Werke aus der Sammlung Bunte, Städtisches Museum Engen + Galerie, February 28 - June 2, 2023; Kunsthaus Apolda Avantgarde, July 9 - September 3, 2023, p. 39, cat. no. 49 (illu.)
Fom the artist's estate. Erich Stenner, Bielefeld. Korn Collection, Munich (obtained from Erich Stenner in 1960). Hermann-Josef Bunte Collection, Hamburg/Bielefeld
In good condition. Small retouched spots, predominantly in margins. Isolated spots of minimal craquelure and small drycracks. Edges minimally scuffed in places.
Lot Details
Oil on cardboard. Monogrammmed in lower right. 46.5 x 41.5 cm. Verso: Weiblicher Akt ohne Kopf, oil, Hülsewig-Johnen/Reipschläger 53. [SM]. LITERATURE: Jutta Hülsewig-Johnen/ Christiane Reipschläger, Hermann Stenner. Catalogue raisonné of paintings, ed. by Freundeskreis Hermann Stenner e. V., Bielefeld 2003, no. 108. - - Hans Georg Gmelin, Hermann Stenner 1891-1914, Munich 1975, p.44.
Wilhelm Morgner - Hermann Stenner, Städtisches Kunsthaus Bielefeld, May 2 - 30, 1954, cat. no. 43. Hermann Stenner 1891 - 1914, Städtisches Kunsthaus Bielefeld, October 14 - November 9, 1956, cat. no. 171/ Württembergischer Kunstverein, Stuttgart. Hermann Stenner 1891-1914. Von Bielefeld nach Meersburg - Ein Maler an der Schwelle zur Moderne, Schloss Achberg, April 21 - October 14, 2007, cat. no. 40, p. 39 (illu. in color). Sammlung Bunte, Positionen der Klassischen Moderne, Kunst-Museum Ahlen, February 25 - May 28, 2007; Lyonel Feininger Galerie, Quedlinburg, December 1 - March 2, 2008; Museum Moderne Kunst, Passau, August 9 - September 29, 2008; Egon Schiele Art Centrum, Krumlov October 31 - February 1, 2009; Ernst Barlach Stiftung Güstrow September 27 - January 17, 2010; Kunsthaus Apolda Avantgarde January 24 - April 5, 2010; cover of the catalog, p. 212 (illu. in color). Der Westfälische Expressionismus, Kunsthalle Bielefeld, October 31, 2010 - February 20, 2011, p. 204. Das Glück in der Kunst, Expressionismus und Abstraktion um 1914. Sammlung Bunte, Kunsthalle Bielefeld, March 21 - August 3, 2014, p. 169. Hermann Stenner: Hymnen an das Leben. Werke aus der Sammlung Bunte, Städtisches Museum Engen + Galerie, February 28 - June 2, 2023; Kunsthaus Apolda Avantgarde, July 9 - September 3, 2023, p. 39, cat. no. 49 (illu.)
Fom the artist's estate. Erich Stenner, Bielefeld. Korn Collection, Munich (obtained from Erich Stenner in 1960). Hermann-Josef Bunte Collection, Hamburg/Bielefeld
In good condition. Small retouched spots, predominantly in margins. Isolated spots of minimal craquelure and small drycracks. Edges minimally scuffed in places.
Hermann Stenner 
