作为 2024-10-25 18:11:28

Jack Levine

Lot 67051
Oh, Moon of Alabama, 1972
Oil on canvas

101,6 x 88,9 cm (40,0 x 35,0 in)

Lot 67051
Oh, Moon of Alabama, 1972
Oil on canvas
101,6 x 88,9 cm (40,0 x 35,0 in)

估计: US$ 10.000 - 15.000
€ 9.200 - 14.000
拍卖: 9 天

Heritage Auctions

城市: Dallas, TX
拍卖: 15.11.2024
拍卖编号: 8184
拍卖名称: American Art Signature® Auction

拍品信息
Signed lower left: Levine
Kennedy Galleries, New York; Collection of Meyer and Vivian Potamkin; Estate of the above, 2002; Sotheby's New York, May 21, 2003, lot 91; Private collection, Saddle River, New Jersey, acquired from the above.
Jack Levine (American, 1915-2010) Oh, Moon of Alabama, 1972 Oil on canvas 40 x 35 inches (101.6 x 88.9 cm) Signed lower left: Levine PROVENANCE: Kennedy Galleries, New York; Collection of Meyer and Vivian Potamkin; Estate of the above, 2002; Sotheby's New York, May 21, 2003, lot 91; Private collection, Saddle River, New Jersey, acquired from the above. Jack Levine's Oh, Moon of Alabama captures a whimsical yet complex moment that references both pop culture and the deep emotional currents of human experience. The title is drawn from the well-known lyric in Alabama Song (Whisky Bar) from Bertolt Brecht and Kurt Weill's 1927 opera Mahagonny-Songspiel. The song, later popularized by The Doors, embodies themes of yearning, indulgence, and existential longing, and Levine plays on these concepts in his dynamic composition. In Oh, Moon of Alabama, Levine uses a rich, painterly style, incorporating earthy browns and muted tones with a bold use of texture to highlight the movement and energy of the scene. The figures, perhaps performers, are depicted with joyful exuberance, their expressions capturing a mix of humor and nostalgia. The central figures play instruments, perhaps alluding to the improvisational nature of both music and life itself. The abstracted, almost whimsical treatment of the subjects reveals Levine's ability to blend satire with deeper reflections on human nature. Levine, a key figure in 20th-century Social Realism, often used humor and caricature to critique social structures and human folly. In this work, he cleverly juxtaposes the carefree atmosphere of performance with the poignant undercurrents of Brecht and Weill's iconic song, offering a layered narrative that invites viewers to look beyond the surface. Oh, Moon of Alabama stands as an exploration of the theatricality of life, merging Levine's characteristic social commentary with musical and cultural references that resonate across time. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved
Unlined canvas. Thin 5 inch vertical line of loss along the lower right edge, not visible in current framing. Under UV exam, there does not appear to be inpaint. Framed Dimensions 51.5 X 46.5 Inches
Lot Details
Signed lower left: Levine
Kennedy Galleries, New York; Collection of Meyer and Vivian Potamkin; Estate of the above, 2002; Sotheby's New York, May 21, 2003, lot 91; Private collection, Saddle River, New Jersey, acquired from the above.
Jack Levine (American, 1915-2010) Oh, Moon of Alabama, 1972 Oil on canvas 40 x 35 inches (101.6 x 88.9 cm) Signed lower left: Levine PROVENANCE: Kennedy Galleries, New York; Collection of Meyer and Vivian Potamkin; Estate of the above, 2002; Sotheby's New York, May 21, 2003, lot 91; Private collection, Saddle River, New Jersey, acquired from the above. Jack Levine's Oh, Moon of Alabama captures a whimsical yet complex moment that references both pop culture and the deep emotional currents of human experience. The title is drawn from the well-known lyric in Alabama Song (Whisky Bar) from Bertolt Brecht and Kurt Weill's 1927 opera Mahagonny-Songspiel. The song, later popularized by The Doors, embodies themes of yearning, indulgence, and existential longing, and Levine plays on these concepts in his dynamic composition. In Oh, Moon of Alabama, Levine uses a rich, painterly style, incorporating earthy browns and muted tones with a bold use of texture to highlight the movement and energy of the scene. The figures, perhaps performers, are depicted with joyful exuberance, their expressions capturing a mix of humor and nostalgia. The central figures play instruments, perhaps alluding to the improvisational nature of both music and life itself. The abstracted, almost whimsical treatment of the subjects reveals Levine's ability to blend satire with deeper reflections on human nature. Levine, a key figure in 20th-century Social Realism, often used humor and caricature to critique social structures and human folly. In this work, he cleverly juxtaposes the carefree atmosphere of performance with the poignant undercurrents of Brecht and Weill's iconic song, offering a layered narrative that invites viewers to look beyond the surface. Oh, Moon of Alabama stands as an exploration of the theatricality of life, merging Levine's characteristic social commentary with musical and cultural references that resonate across time. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved
Unlined canvas. Thin 5 inch vertical line of loss along the lower right edge, not visible in current framing. Under UV exam, there does not appear to be inpaint. Framed Dimensions 51.5 X 46.5 Inches

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