作为 2025-02-26 11:21:43

Keisai Eisen

Lot 78070
No. 15, Itahana (Jugo: Itahana), from the series The Sixty-nine Stations of the Kisokaido Road (Kisokaido rokujukyu tsugi no uchi), 1835
Woodblock print

22,9 x 34,9 cm (9,0 x 13,8 in)
缩放
Lot 78070
No. 15, Itahana (Jugo: Itahana), from the series The Sixty-nine Stations of the Kisokaido Road (Kisokaido rokujukyu tsugi no uchi), 1835
Woodblock print
22,9 x 34,9 cm (9,0 x 13,8 in)
估计： US$ 6.000 - 8.000
€ 5.700 - 7.600
拍卖： 4 天

Heritage Auctions

城市: Dallas, TX
拍卖: 20.03.2025
拍卖编号: 8191
拍卖名称: Masterpieces: Japanese Prints from the Nelkin Collection Signature® Auction
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拍品信息
Keisai Eisen (Japanese, 1790-1848) No. 15, Itahana (jūgo: Itahana), from the series The Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi), circa 1835 Woodblock print 9 x 13-3/4 inches (22.9 x 34.9 cm) (sheet, ōban) Published by Iseya Rihei (Kinjudō), with the publisher's red ink seal With the partially trimmed censor seal: kiwame, in combination with Take from the publisher With the earlier publisher's seal: Ikenaka Iseri; as found in the first edition PROVENANCE: Tadamasa Hayashi (1854-1906), Tokyo and Paris (Lugt 2971); Henri Vever (1854-1943), Paris (Lugt 2491bis); His posthumous sale: Sotheby's, London, October 30, 1997, lot 157. Additional impressions of this work can be found at the Museum of Fine Arts, Boston; the Art Institute of Chicago; the Metropolitan Museum of Art, New York; the Minneapolis Institute of Art; the Fine Arts Museums of San Francisco; the British Museum, London; the Tokyo National Museum; and the Harvard Art Museum. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved www.HA.com/TexasAuctioneerLicenseNotice
Tadamasa Hayashi (1854-1906), Tokyo and Paris (Lugt 2971); Henri Vever (1854-1943), Paris (Lugt 2491bis); His posthumous sale: Sotheby's, London, October 30, 1997, lot 157;
Print presents well with the distinctive blue bokashi beginning at the base of the river rather than the top indicative of an earlier, first edition impression. Condition of the work is consistent with its age. A mild vertical center fold line, pressed flat. Mild toning to the sheet with a few isolated spots of foxing primarily evident verso or in uninked areas recto, do not appear to majorly impact image, inked colors still appear vibrant. A few pencil inscriptions and collector's ink stamps in lower corners recto and verso. Three small (1/16") wormholes upper left corner with one within the image background; a few additional, negligible pin pricks throughout the sheet, consistent with age and weight of sheet. Sheet appears to be slightly trimmed due to the partially visible publisher/censor seal recto lower left. Vestiges of hinging along verso upper edge. Unframed.
Lot Details
Keisai Eisen (Japanese, 1790-1848) No. 15, Itahana (jūgo: Itahana), from the series The Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi), circa 1835 Woodblock print 9 x 13-3/4 inches (22.9 x 34.9 cm) (sheet, ōban) Published by Iseya Rihei (Kinjudō), with the publisher's red ink seal With the partially trimmed censor seal: kiwame, in combination with Take from the publisher With the earlier publisher's seal: Ikenaka Iseri; as found in the first edition PROVENANCE: Tadamasa Hayashi (1854-1906), Tokyo and Paris (Lugt 2971); Henri Vever (1854-1943), Paris (Lugt 2491bis); His posthumous sale: Sotheby's, London, October 30, 1997, lot 157. Additional impressions of this work can be found at the Museum of Fine Arts, Boston; the Art Institute of Chicago; the Metropolitan Museum of Art, New York; the Minneapolis Institute of Art; the Fine Arts Museums of San Francisco; the British Museum, London; the Tokyo National Museum; and the Harvard Art Museum. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved www.HA.com/TexasAuctioneerLicenseNotice
Tadamasa Hayashi (1854-1906), Tokyo and Paris (Lugt 2971); Henri Vever (1854-1943), Paris (Lugt 2491bis); His posthumous sale: Sotheby's, London, October 30, 1997, lot 157;
Print presents well with the distinctive blue bokashi beginning at the base of the river rather than the top indicative of an earlier, first edition impression. Condition of the work is consistent with its age. A mild vertical center fold line, pressed flat. Mild toning to the sheet with a few isolated spots of foxing primarily evident verso or in uninked areas recto, do not appear to majorly impact image, inked colors still appear vibrant. A few pencil inscriptions and collector's ink stamps in lower corners recto and verso. Three small (1/16") wormholes upper left corner with one within the image background; a few additional, negligible pin pricks throughout the sheet, consistent with age and weight of sheet. Sheet appears to be slightly trimmed due to the partially visible publisher/censor seal recto lower left. Vestiges of hinging along verso upper edge. Unframed.
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