作为 2025-09-08 12:53:10

Eikoh Hosoe

Lot 73297
Ordeal by Roses #5 (Yukio Mishima with Hammer), 1962
Gelatin silver print, printed later

36,2 x 25,7 cm (14,3 x 10,1 in)
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Lot 73297
Ordeal by Roses #5 (Yukio Mishima with Hammer), 1962
Gelatin silver print, printed later
36,2 x 25,7 cm (14,3 x 10,1 in)
估计： US$ 2.000 - 3.000
€ 1.700 - 2.600
拍卖： 23 天

Heritage Auctions

城市: Dallas, TX
拍卖: 03.10.2025
拍卖编号: 8220
拍卖名称: Photographs Signature® Auction
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拍品信息
Eikoh Hosoe (Japanese, 1933-2024) Ordeal by Roses #5 (Yukio Mishima with Hammer), 1962 Gelatin silver print, printed later 14-1/4 x 10-1/8 inches (36.2 x 25.7 cm) (image) 15-5/8 x 11-3/4 inches (sheet) Signed in pencil, lower margin recto. Signed, titled, and dated, in pencil, verso. PROVENANCE: The artist; Abe Frajndlich, acquired from the above. When I was studying with Nathan Lyons in Rochester, NY in 1974, I reached out to Eikoh Hosoe and we met on several occasions when he would come to New York City to see his gallery or to teach a workshop. Those images of Mishima greatly influenced my ongoing work with Minami Azu, with the working title, 2muse. Eventually when I did his portrait in Tokyo in 1989, he had been a friend and colleague of long duration. He was the ultimate master of Japanese photography and helped open the door for me when I came to photograph Araki and Shinoyama in 2009, for my series on photographers. HID12401132022 © 2025 Heritage Auctions | All Rights Reserved www.HA.com/TexasAuctioneerLicenseNotice
Acquired directly from the artist.
In overall excellent condition with no visible defects. Matted to 21 x 17 inches. Not framed.
Lot Details
Eikoh Hosoe (Japanese, 1933-2024) Ordeal by Roses #5 (Yukio Mishima with Hammer), 1962 Gelatin silver print, printed later 14-1/4 x 10-1/8 inches (36.2 x 25.7 cm) (image) 15-5/8 x 11-3/4 inches (sheet) Signed in pencil, lower margin recto. Signed, titled, and dated, in pencil, verso. PROVENANCE: The artist; Abe Frajndlich, acquired from the above. When I was studying with Nathan Lyons in Rochester, NY in 1974, I reached out to Eikoh Hosoe and we met on several occasions when he would come to New York City to see his gallery or to teach a workshop. Those images of Mishima greatly influenced my ongoing work with Minami Azu, with the working title, 2muse. Eventually when I did his portrait in Tokyo in 1989, he had been a friend and colleague of long duration. He was the ultimate master of Japanese photography and helped open the door for me when I came to photograph Araki and Shinoyama in 2009, for my series on photographers. HID12401132022 © 2025 Heritage Auctions | All Rights Reserved www.HA.com/TexasAuctioneerLicenseNotice
Acquired directly from the artist.
In overall excellent condition with no visible defects. Matted to 21 x 17 inches. Not framed.
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