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作为 2024-11-15 14:16:29

Tamara de Lempicka

Lot 124000721
Femme à la Mandoline, 1933
Etching and aquatint

57 x 36 cm

Lot 124000721
Femme à la Mandoline, 1933
Etching and aquatint
57,0 x 36,0 cm

估计:
€ 8.000 - 10.000
拍卖: 20 天

Ketterer Kunst GmbH & Co KG

城市: Munich
拍卖: 15.12.2024 15:36 拍卖时间
拍卖编号: 22
拍卖名称: Online Sale

拍品信息
Etching and aquatint. LSigned and numbered "15/100" in the lower left. From an edition of 100 copies. On off-white wove paper, laminated on cardboard. 57 x 36 cm. Sheet: 75,5 x 54 cm.
Based on the paintig "La Musicienne" from 1929. [MH/JS].

• Large-format composition in the timeless cool Art Deco style so characteristic of the artist.
• In 2018, a painting with the same motif, “La Musicienne”, sold in New York for 8 million euros, at the time the highest price ever paid at auction for a work by the artist.
• Lempicka's sophisticated Art Deco style masterfully combines influences from Cubism and the New Objectivity.
LITERATURE: Alain Blondel, Tamara de Lempicka. Catalog raisonné 1921-1979, Lausanne 1999, p. 472, catalogue raisonné no. A.152 (illustrated, different copy).
Private collection, Berlin (before 1983). Family-owned ever since
Good overall impression. With mount staining. With slight traces of rubbing and retouching, primarily in the area of the skirt and the forearm. Paper with superficial blemishes and framing-related rubbing, creasing and signs of wear around the edges. Mounted on backing board.
Lot Details
Etching and aquatint. LSigned and numbered "15/100" in the lower left. From an edition of 100 copies. On off-white wove paper, laminated on cardboard. 57 x 36 cm. Sheet: 75,5 x 54 cm.
Based on the paintig "La Musicienne" from 1929. [MH/JS].

• Large-format composition in the timeless cool Art Deco style so characteristic of the artist.
• In 2018, a painting with the same motif, “La Musicienne”, sold in New York for 8 million euros, at the time the highest price ever paid at auction for a work by the artist.
• Lempicka's sophisticated Art Deco style masterfully combines influences from Cubism and the New Objectivity.
LITERATURE: Alain Blondel, Tamara de Lempicka. Catalog raisonné 1921-1979, Lausanne 1999, p. 472, catalogue raisonné no. A.152 (illustrated, different copy).
Private collection, Berlin (before 1983). Family-owned ever since
Good overall impression. With mount staining. With slight traces of rubbing and retouching, primarily in the area of the skirt and the forearm. Paper with superficial blemishes and framing-related rubbing, creasing and signs of wear around the edges. Mounted on backing board.

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